“In their role as continuo players–sort of the baroque equivalent of the piano and string bass in jazz–the Edelens were the beating heart of most of the program. Christina’s improvisation on the chordal harmony was always lively and nicely varied in texture.”
“Early English Organ Music” Christina Scott Edelen, playing the Goetze and Gwynn organ at St John and St Philip’s Anglican Church in The Hague, Netherlands.
“An Early Keyboard Sampler” Christina Scott Edelen, performing on harpsichord, clavichord and virginal.
Excerpts from Christina Scott Edelen’s CD, “An Early Keyboard Sampler.”
Peter Philips, Amarilli di Julio Romano from The Fitzwilliam Virginal Book, vol. 1
Elisabeth Claude Jacquet de la Guerre, Tocade non mesuré from Pièces de Clavecin (1687), Suite IV
Jacques Duphly, Rondeau in D from Pièces de Clavecin, Premier Livre 1744
A selection from a recital in Haarlem, The Netherlands, at the Anglican Church, February, 2009. The organ is an historic 18th C. instrument.
Domenico Gabrielli Sonata for cello and continuo, Grave
Domenico Gabrielli Sonata for cello and continuo, Allegro
Domenico Gabrielli Sonata for cello and continuo, Largo
Domenico Gabrielli Sonata for cello and continuo, Prestissimo
Vivaldi Sonata for cello and continuo, FXIV no6, Largo
Sonatas of Boismoitier, Barriere, Corrette, and other masters of the French Baroque.